Gino Severini and the intimacy of his "Pan Pan" as an artist and witness of the Belle Epoque
Journal title GRUPPI
Author/s Solomon Resnik
Publishing Year 2013 Issue 2012/3 Language Italian
Pages 9 P. 117-125 File size 552 KB
DOI 10.3280/GRU2012-003008
DOI is like a bar code for intellectual property: to have more infomation
click here
Below, you can see the article first page
If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits
FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.
The text of a conference held at the MART of Rovereto on December 17th 2011 was employed on the occasion of a show the museum devoted to Severini’s work. The theme of one of the paintings on show, which has been through particular vicissitudes (it was completed the first time in 1911, was then lost, and was re-painted by the author in 1959-60) and was entitled The Dance of the Pan Pan at the Monico, was picked up as the main theme for the visit to the museum. The painting is also seen as the expression of the artist’s inner emotional condition, a state which accompanied all of his work actually, his life. It was boldly observed that even in a photograph a bird’s-eye view of a street the artist’s hometown Cortona devoted to him after his death - it is possible to trace the graphic movement and colors of Severini’s Pan Pan.
Keywords: Severini, futurism, psychoanalysis, biography, work of art, emotion.
Solomon Resnik, Gino Severini e il suo "pan pan" intimo di artista e testimone della Belle Epoque in "GRUPPI" 3/2012, pp 117-125, DOI: 10.3280/GRU2012-003008