Wordless. The body in exhibition. A psychotherapist tries through her questions to understand what tensive elements shape in the original body language of a contemporary dancer. The conversation is a mood to compare the elements of a phenomenology of the body, which is recognized the essential requisite by the therapeutic dynamic. The dancer and choreographer tries to recognize throw her telling the primary matrix and the inner force to choose the theatre dance, and then to recognize what training she needs to succeed with her own style in the creative choreographic works. Implicit rules of the gesture creation emerge during the conversation that explores the senso-motorial processes in the performance. Every score in the dance shows as much expression of plasticity, even if infinitesimal, of the dancing body and of the aesthetic effect that binds the event, the actor and the observer. In the individual, group, institutional therapeutic relationship, the relation and the word, when things go enough well, assume rhythms of the dance and the change is, only in part predictable.
Keywords: Process, pro-tension, uncertainty, inner force, contingency, courage, relationship, sharing, body language, evocative body.