@article{37610, 
year={2009},
issn={2035-357X},
journal={PARADIGMI},
number={3},
volume={},
doi={10.3280/PARA2009-003004},
title={Il filosofo e il cineasta. Una discussione sull'immagine cinematografica},
abstract={<em>The Philosopher and the Moviemaker. A Discussion of the Cinematic</em> - Image The present article focuses on two topics underlying the lecture given by Maurice Merleau-Ponty in 1945 at the Institut des Hautes Études Cinématographiques, in Paris. One is the reflection on the peculiarities of filmic expression and cinematic image; the other, the convergence between the inspiration of cinema and that of philosophy, which Merleau-Ponty sees as a significant feature of his time: a convergence which the cinema of the nouvelle vague was also to acknowledge and which Christian Metz was to confirm retrospectively. Moreover, in developing both topics, the author finds a way to interpret Merleau-Ponty’s lecture as an undeclared polemical response to Henri Bergson’s famous negative judgement on cinema. <br/><br/>Key words: Cinematic Image, Gestalt Psychology, Melody, Montage, Perception, Rhythm.  <br/><br/>Parole chiave: Dinamica di legittimazione, Immagine, Identità, Narrazione, Soggetto, Tempo.}
url={http://www.francoangeli.it/Riviste/Scheda_rivista.aspx?idArticolo=37610},
author={Mauro Carbone}
pages={45-51},
language={IT}}