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Il filosofo e il cineasta. Una discussione sull'immagine cinematografica
Journal Title: PARADIGMI 
Author/s: Mauro Carbone 
Year:  2009 Issue: Language: Italian 
Pages:  7 Pg. 45-51 FullText PDF:  63 KB
DOI:  10.3280/PARA2009-003004
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The Philosopher and the Moviemaker. A Discussion of the Cinematic - Image The present article focuses on two topics underlying the lecture given by Maurice Merleau-Ponty in 1945 at the Institut des Hautes Études Cinématographiques, in Paris. One is the reflection on the peculiarities of filmic expression and cinematic image; the other, the convergence between the inspiration of cinema and that of philosophy, which Merleau-Ponty sees as a significant feature of his time: a convergence which the cinema of the nouvelle vague was also to acknowledge and which Christian Metz was to confirm retrospectively. Moreover, in developing both topics, the author finds a way to interpret Merleau-Ponty’s lecture as an undeclared polemical response to Henri Bergson’s famous negative judgement on cinema.

Key words: Cinematic Image, Gestalt Psychology, Melody, Montage, Perception, Rhythm.

Parole chiave: Dinamica di legittimazione, Immagine, Identità, Narrazione, Soggetto, Tempo.

Mauro Carbone, in "PARADIGMI" 3/2009, pp. 45-51, DOI:10.3280/PARA2009-003004

   

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