Welfare in-between artistic expressions and communities: Deanna Dikeman’s exhibition "Leaving and Waving"

Titolo Rivista WELFARE E ERGONOMIA
Autori/Curatori Mariangela D’Ambrosio, Simona Palladino, Paola Mitra
Anno di pubblicazione 2023 Fascicolo 2023/1 Lingua Inglese
Numero pagine 12 P. 75-86 Dimensione file 370 KB
DOI 10.3280/WE2023-001006
Il DOI è il codice a barre della proprietà intellettuale: per saperne di più clicca qui

Qui sotto puoi vedere in anteprima la prima pagina di questo articolo.

Se questo articolo ti interessa, lo puoi acquistare (e scaricare in formato pdf) seguendo le facili indicazioni per acquistare il download credit. Acquista Download Credits per scaricare questo Articolo in formato PDF

Anteprima articolo

FrancoAngeli è membro della Publishers International Linking Association, Inc (PILA)associazione indipendente e non profit per facilitare (attraverso i servizi tecnologici implementati da CrossRef.org) l’accesso degli studiosi ai contenuti digitali nelle pubblicazioni professionali e scientifiche

With the intention to investigate the role of photography in addressing social issues and the function that exhibitions play as an engine of collective action, the research focuses on the analysis of Deanna Dikeman’s exhibition Leaving and Waving. The photo reportage of nintyeight photographs was conducted over twentyseven years, through which the artist portrayed her parents at the moment of saying goodbye. This is a creative way that captures ageing, death, family bonds, generational relationships, greetings. The study was conducted by administering semi-structured anonymous questionnaires to visitors of three exhibitions in Italy (Campobasso, Rome, Verona) from February until June 2022. The study addresses the role of new social practices and associations, considering family ties in relational and socio-relational Welfare. The social as such is intended strategically to promote individual and collective well-being through artistic expression.

Con l’intento di indagare il ruolo della fotografia nel sociale e la funzione che le mostre svolgono come motore di azione collettiva su temi globali, la ricerca si concentra sull’analisi della mostra Leaving and Waving di Deanna Dikeman. Si tratta di un reportage fotografico di novantotto scatti, si pone su un continuum temporale di ventisette anni, dove l’artista ha ritratto i suoi genitori nel momento del saluto. Pertanto, una modalità creativa che tratta le tematiche dell’invecchia-mento, la morte, i rapporti familiari e generazionali, il saluto. Lo studio è stato condotto somministrando questionari anonimi semi-strutturati ai visitatori di tre mostre in Italia (Campobasso, Roma, Verona) da Febbraio a Giugno 2022. La ricerca fa luce sul ruolo delle associazioni per dare risalto all'importanza dei legami familiari in chiave relazionale e di Welfare socio-relazionale, strategico per promuovere il benessere individuale e collettivo tramite il linguaggio artistico.

Keywords:Fotografia; Sociale; Terzo Settore; Welfare.

  1. Alexander V.D. (2020). Sociology of the arts: Exploring fine and popular forms. Wiley Blackwell.
  2. Ascoli U. e Campedelli M. (2021). Insostituibilità, riconoscenza, integrazione funzionale: la parabola del Terzo Settore nella pandemia. Politiche Sociali/Social Policies, 2: 369-388.
  3. Becker H.S. (1974). Photography and sociology. Studies in Visual Communication, 1(1): 3-26.
  4. Bogre M. (2012). Photography as activism: images for social change. London: Routledge.
  5. Bolton G. (2008). “Writing is a way of saying things I can’t say” – therapeutic creative writing: a qualitative study of its value to people with cancer cared for in cancer and palliative healthcare. Medical Humanities, 34(1): 40-46.
  6. Briscese G., Lacetera N., Macis M. and Tonin M. (2020). Compliance with COVID-19 social-distancing measures in italy: the role of expectations and duration (Vol. 27). Cambridge, MA-USA: National Bureau of Economic Research.
  7. Cohen-Cruz J. (2002). An introduction to community art and activism. Community arts network, 16.
  8. Cvetkovich A. (2007). Public feelings. South Atlantic Quarterly, 106(3): 459.
  9. d'Aquili E.G., Laughlin C.D. and McManus J., with Tom Burns et al. (1979). The spectrum of ritual: A biogenetic structural analysis. New York : Columbia University Press.
  10. Davis-Floyd R. and Laughlin C.D. (2022). Ritual: What It Is, How It Works, and Why. New York, Oxford: Berghahn Books.
  11. Donati P. (2013). Sociologia della relazione. Milano: FrancoAngeli.
  12. Donati P. (1991). Teoria relazionale della società. Milano: FrancoAngeli.
  13. Donati P. (1983). Introduzione alla sociologia relazionale. Milano: FrancoAngeli.
  14. Driver T.F. (2019). Liberating rites: Understanding the transformative power of ritual. London: Routledge.
  15. Duncan C. (2005). Civilizing rituals: Inside public art museums. London: Routledge, 7-20.
  16. Fancourt D. and Finn S. (2019). What is the evidence on the role of the arts in improving health and well-being? For the World Health Organization. -- Available at: https://apps.who.int/iris/bitstream/handle/10665/329834/9789289054553-eng.pdf.
  17. Frith H. and Harcourt D. (2007). Using photographs to capture women’s experiences of chemotherapy: Reflecting on the method. Qualitative health research, 17(10): 1340-1350.
  18. Gammaitoni M. (2006). Sociologia delle arti e approccio qualitativo. In: Cipriani R., a cura di, L’approccio qualitativo. Milano: Ed. Guerini, 138-153.
  19. Grady J. (1996). The scope of visual sociology. Visual Studies, 11(2): 10-24.
  20. Grossi E. e Ravagnan A. (2013). Cultura e salute. La partecipazione culturale come strumento per un nuovo welfare. Milano: Springer-Verlag.
  21. Groys B. (2014). On art activism. e-flux journal, 56(6): 1-13.
  22. Grosvenor I. and Macnab N. (2015). Photography as an agent of transformation: education, community and documentary photography in post-war Britain. Paedagogica Historica, 51(1-2): 117-135.
  23. Harper D. (2019). Visual sociology: Expanding sociological vision. In: Blank G., McCartney J.L., Edward Brent E., editors, New technology in sociology. New York: Routledge, 81-97.
  24. Jelinek A. (2014). This is not art: activism and other ‘not-art’. Bloomsbury Publishing.
  25. Kim H. and Bianco J. (2007). The effective turn: Theorizing the social. Duke University Press.
  26. Lowe S.S. (2000). Creating community: Art for community development. Journal of contemporary ethnography, 29(3): 357-386.
  27. Marien M.W. (2006). Photography: A cultural history. Laurence King Publishing.
  28. Marshall D.A. (2002). Behaviour, belonging, and belief: A theory of ritual practice. Sociological theory, 20(3): 360-380.
  29. Martin R. and Spence J. (1985). New portraits for old: The use of the camera in therapy. Feminist Review, 19(1): 66-92.
  30. McNiff S. (2004). Art heals: How creativity cures the soul. Shambhala Publications.
  31. Mitchell W.T. (2005). What do pictures want?: The lives and loves of images. Chigago: University of Chicago Press.
  32. Palladino S. and Fasulo A. (2011). Pride of Place Project: Peoples Perspective Featuring Portsmouth. AM Antropologia Museale - Etnografia, Patrimoni, Culture Visive, 10(30).
  33. Pauwels L. (2010). Visual sociology reframed: An analytical synthesis and discussion of visual methods in social and cultural research. Sociological Methods & Research, 38(4): 545-581.
  34. Phu T. and Brown E.H. (2018). The Cultural Politics of Aspiration: Family Photography’s Mixed Feelings. Journal of Visual Culture, 17(2): 152-165. DOI: 10.1177/1470412918782352
  35. Putnam R.D. (2000). Bowling alone: The collapse and revival of American community. Touchstone Books, Simon and Schuster.
  36. Raiford L. (2009). Photography and the practices of critical black memory. History and Theory, 48(4): 112-129.
  37. Rampton T.B., Rosemann J.L., Latta A.L., Mandleco B.L., Olsen Roper S. and Dyches T.T. (2007). Images of life: Siblings of children with Down syndrome. Journal of Family Nursing, 13(4): 420-442.
  38. Sedgwick E.K. (2003). Touching feeling: Affect, Pedagogy, Performativity. Duke University Press.
  39. Storm B. and Soares J. (2021). Memory in the Digital Age in The Oxford Handbook of Human Memory. Oxford: Oxford University Press.
  40. Thompson N., editor (2012). Living as form: Socially engaged art from 1991-2011. MIT Press.
  41. Trione V. (2022). Artivismo: arte, politica, impegno. Torino: Einaudi.
  42. Watts J. (2009). Illness and the creative arts: A critical exploration. In: Earle S., Bartholomew C. and Komaromy Carol, editors, Death and Dying: A Reader. London, UK: Sage in association with the Open University, 102-108.
  43. Zarobe L. and Bungay H. (2017). The role of arts activities in developing resilience and mental wellbeing in children and young people: a rapid review of the literature. Perspectives in public health, 137(6): 337-347.
  44. Zolberg V. (1994). Sociologia dell'arte. Bologna: il Mulino.

  • Addressing Uncomfortable Emotions through the Photo-Exhibition Leaving and Waving by Deanna Dikeman Simona Palladino, Mariangela D'Ambrosio, Paola Mitra, in Photography and Culture /2024 pp.1
    DOI: 10.1080/17514517.2024.2324507

Mariangela D’Ambrosio, Simona Palladino, Paola Mitra, Welfare in-between artistic expressions and communities: Deanna Dikeman’s exhibition "Leaving and Waving" in "WELFARE E ERGONOMIA" 1/2023, pp 75-86, DOI: 10.3280/WE2023-001006