The relational cinema of Carlo Mazzacurati

Journal title PSICOBIETTIVO
Author/s Caterina Selvaggi
Publishing Year 2015 Issue 2015/1
Language Italian Pages 8 P. 159-166 File size 93 KB
DOI 10.3280/PSOB2015-001011
DOI is like a bar code for intellectual property: to have more infomation click here

Below, you can see the article first page

If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits

Article preview

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

Through the analysis of Mazzacurati’s most important movie "La giusta distanza" (The Right Distance), the author analyzes the style of the director who does not only represents acts or characters, but particularly the relationships between characters: for this reason this style is referred to as "Relational cinema". The story is built through glances, words, silences, and movement of the camera, following the characters body. This is how an innocent man, wrongly condemned, will be looked at from a "right distance" which allows to discover his innocence: the distance of the relationships among people.

Keywords: Mazzacurati; Art Direction; Relationship; Glance; Acts; Words; Internal-External; Image

  1. Bateson G. (1976) Verso un’ecologia della mente, Adelphi, Milano
  2. Deleuze G. (1983) L’immagine-movimento, Ubulibri, Milano
  3. Metz C. (1980) Cinema e psicoanalisi, Marsilio, Venezia
  4. Searle J.R. (1969) Speach acts, Cambridge University Press, London
  5. Selvaggi C. (2013) La relazione postmoderna, FrancoAngeli, Milano
  6. Van Dijk T. (1980) Testo e contesto, Il Mulino, Bologna

Caterina Selvaggi, Il cinema di relazione di Carlo Mazzacurati in "PSICOBIETTIVO" 1/2015, pp 159-166, DOI: 10.3280/PSOB2015-001011