Words, bodies, dreams

Journal title ITALIA CONTEMPORANEA
Author/s Chiara Tognolotti
Publishing Year 2024 Issue 2024/306
Language Italian Pages 5 P. 160-164 File size 82 KB
DOI 10.3280/IC2024-306009
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The text looks at Marco Bellocchio’s film “Rapito” by highlighting its major components — words, bodies, dreams — and tracing its recurrences throughout the director’s body of work. Thus, the contours of a complex film that revisits and reworks the constant theme of Bellocchio’s corpus are outlined: the contrast between the freedom of the individual and the oppressive presence of authority, whether political, religious, or familial.

Keywords: Marco Bellocchio, italian cinema, film analysis, history and film, Rapito

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Chiara Tognolotti, Parole, corpi, sogni in "ITALIA CONTEMPORANEA" 306/2024, pp 160-164, DOI: 10.3280/IC2024-306009