Investigation of the Acoustic Characteristics of Some Tuscan Italian-style Theaters

Journal title RIVISTA ITALIANA DI ACUSTICA
Author/s Carlo Bartoli, Giacomo Salvadori, Tommaso D'Orazio, Claudia Guattari, Luca Evangelisti, Francesco Asdrubali
Publishing Year 2025 Issue 2025/1
Language Italian Pages 16 P. 71-86 File size 0 KB
DOI 10.3280/ria1-2025oa20510
DOI is like a bar code for intellectual property: to have more infomation click here

View article Download Open Access article

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

The present study examines the acoustic characteristics of several Tuscan theaters, based on the results of measurement campaigns conducted in various theatrical settings over the past years. The main goal is to high-light and discuss the acoustic specifics of these spaces, all belonging to the Italian-style theater typology, while showing differences in size, materials used, and construction epochs. The collected data offer an in-depth insight into the sound qualities of the theaters considered, providing significant indications for a better understanding of the acoustic experience within such environments and for the preservation of their authenticity and historical-cultural relevance.

  1. Prodi N., Pompoli R., Martellotta, F., Sato S.I., Acoustics of Italian Histori cal Opera Houses, J. Acoust. Soc. Am., 138 (2015), pp. 769-781. DOI: 10.1121/1.4926905
  2. Prodi, N., Pompoli, R., Acoustic in the restoration of Italian historical Opera Houses: A review, J. Cult. Herit.,21(2016), pp. 915–921. DOI: 10.1016/j.culher.2016.03.004
  3. Tronchin L., Bevilacqua A., The Royal Tajo Opera Theatre of Lisbon: From architecture to acoustics, J. Acoust. Soc. Am., 153 (2023), pp. 400-414. DOI: 10.1121/10.0016861
  4. Cocchi, A., Garai, M., & Tavernelli, C. (2000). Boxes and sound quality in an Italian opera house. Journal of Sound and Vibration, 232(1), 171-191. DOI: 10.1006/jsvi.1999.2692.
  5. Kuttruff, H., Room Acoustics, CRC Press, 6th Edition, (2014)
  6. Pompoli, R., & Prodi, N. (2000). Guidelines for acoustical measurements inside historical opera houses: Procedures and validation. Journal of Sound and Vibration, 232(1), 281-301. DOI: 10.1006/jsvi.1999.2821.
  7. Long, M., Architectural Acoustics, Elsevier, 2nd Edition, (2006).
  8. Magrini, A., Zecchin, R., Di Bella, A., Farina, A., Capra, A., Maffei, L., Iannace, G., Ianniello, C., Dragonetti, R., Cirillo, E., Martellotta,
  9. F., Masoero, M., Astolfi, A., Pompoli, R., Prodi, N., Tarabusi, V., & Tronchin, L. (2011). Caratteristiche acustiche dei teatri storici italiani: una collaborazione di ricerca tra le Università di Bologna, Ferrara, Napoli Federico II, Napoli 2, Padova, Parma, Pavia e dei Politecnici di Bari e Torino. Convegno Teatri d’Opera dell’Unità d’Italia, Venezia, 23 novembre 2011.
  10. Bevilacqua, A., Sukaj, S., Ciaburro, G., Iannace, G., Lombardi, I., & Trematerra, A. (2022). How a quartet of theatres plays under an acoustic perspective: A comparison between horseshoe-shaped plans in Campania. Building Acoustics, 29(3), 317–329. https://doi.org/10.1177/1351010X221080769.
  11. Tronchin L., Bevilacqua A., Yan R., Acoustic Characterization and Quality Assessment of Cremona’s Ponchielli Theater Appl. Sci. 2023, 13, 4057. https://doi.org/10.3390/app13064057.
  12. Fausti, P., & Prodi, N. (2002). On the testing of renovations inside historical opera houses. Journal of Sound and Vibration, 258(3), 563-575. DOI: 10.1006/jsvi.5276.
  13. Quaia A., Bettarello F., Caniato M. Qualificazione acustica del Teatro So ciale di Rovigo e del Politeama di Como, Atti del 42° Convegno Nazionale AIA, Firenze 2015.
  14. Bevilacqua A., Merli F., Armelloni E., Farina A., Farina A., Tronchin L., Acoustic parameters of the Municipal Theatre of Piacenza shown on different ways of representation, Conference: 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA).
  15. ISO 3382, Acoustics - Measurement of Room Acoustic Parameters, International Organization for Standardization, (1997/2009).
  16. Garai M., Morandi F., D’Orazio D., De Cesaris S., Loreti L., Acoustic meas urements in eleven Italian opera houses: correlations between room criteria and considerations on the local evolution of a typology, Build. Environ., 94 (2015), pp. 900-912. DOI: 10.1016/j.buildenv.2015.07.026
  17. UNI/TS 11326-2:2015 https://store.uni.com/uni-ts-11326-2-2015.
  18. Bartoli C., Salvadori G., D’Orazio T., Guattari C., Evangelisti L., Asdrubali F., Analisi delle caratteristiche acustiche di alcuni teatri all’italiana toscani. In:Atti del 49° Convegno Nazionale dell’Associazione Italiana di Acustica, 2023.

  • Analisi delle caratteristiche acustiche di alcuni teatri all'italiana toscani Carlo Bartoli, Giacomo Salvadori, Tommaso D'Orazio, Claudia Guattari, Luca Evangelisti, Francesco Asdrubali, in RIVISTA ITALIANA DI ACUSTICA 1/2025 pp.71
    DOI: 10.3280/ria1-2025oa20510

Carlo Bartoli, Giacomo Salvadori, Tommaso D'Orazio, Claudia Guattari, Luca Evangelisti, Francesco Asdrubali, Analisi delle caratteristiche acustiche di alcuni teatri all’italiana toscani in "RIVISTA ITALIANA DI ACUSTICA" 1/2025, pp 71-86, DOI: 10.3280/ria1-2025oa20510