Bioenergetica e Teatro: affinità, punti di contatto, sinergie

Journal title GROUNDING
Author/s Livia Geloso
Publishing Year 2015 Issue 2014/2
Language Italian Pages 16 P. 47-62 File size 79 KB
DOI 10.3280/GRO2014-002004
DOI is like a bar code for intellectual property: to have more infomation click here

Below, you can see the article first page

If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits

Article preview

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

This paper is the second step of the reflections about the relationship between bioenergetic analysis and theatre. The authress founded the bioenergetic theatre laboratory. She tells the story of the twenty years of experience of this laboratory. The authress shows that the "Laws of Organicity" are the basic both of bioenergetic analysis and of modern theatre. These laws are represented by the iconical symbol of serpentine line, chosen as "logo" by Lowen and by Siab.

Keywords: Bioenergetic analysis, theatre, bioenergetic theatre laboratory, laws of organicity, serpentine line, golden section.

  1. Cavarero A. (1997). Tu che mi guardi, tu che mi racconti. Filosofia della narrazione, Milano: Feltrinelli, 2005.
  2. Ciancarelli R., Ruggeri S. (2005). Il teatro e le leggi dell’organicità. Antologia di fonti e studi, Roma: Dino Audino Editore.
  3. Helferich C. (2014). Analisi bioenergetica e arti espressive, Grounding, 1: 81-87. DOI: 10.3280/GRO2014-00100
  4. Lowen A. (1958). Il linguaggio del corpo, Milano: Feltrinelli, 1978.
  5. Lowen A. (1975). Bioenergetica, Milano: Feltrinelli, 1991
  6. Lowen A. (1990). La spiritualità del corpo, Roma: Astrolabio, 1991.
  7. Geloso L. (2010). L’analisi bioenergetica e il discorso sulla modernità, Grounding, 1-2: 163-175. DOI: 10.3280/GRO2010-00101
  8. Geloso L. (2013). Bioenergetica e Teatro: riscoperta del corpo e creatività, Grounding, 2: 25-41. DOI: 10.3280/GRO2012-00200
  9. Masotti S. (2012). Il corpo emotivo e poetico, Grounding, 2: 43-63. DOI: 10.3280/GRO2012-00200

Livia Geloso, Bioenergetica e Teatro: affinità, punti di contatto, sinergie in "GROUNDING" 2/2014, pp 47-62, DOI: 10.3280/GRO2014-002004