La creatività dell’impresa creativa: reti, racconti e tecnologie nello sviluppo di un’applicazione smartphone

Journal title STUDI ORGANIZZATIVI
Author/s Claudio Coletta
Publishing Year 2016 Issue 2016/1
Language Italian Pages 21 P. 37-57 File size 214 KB
DOI 10.3280/SO2016-001002
DOI is like a bar code for intellectual property: to have more infomation click here

Below, you can see the article first page

If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits

Article preview

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

The article intends to draw a topology of creativity focusing on its situated aspects: how does creativity act in practice? How does being creative make sense within the creative industry? The basic insight is that the creative process has an autonomous position respect invention and innovation and that creativity 1) stems from recombining, assembling and enacting networks, narratives and technologies and 2) consists in creating new knowledge and new systems of social relations. Such a multidimensional approach aims to grasp the complexity of creative work, following the way through which ideas are generated, inscribed in objects and embedded in actions that in turn produce new ideas.

Keywords: Creativity, topology, start-up, governance.

  1. Akrich, M., Latour, B. (1992), “A summary of convenient vocabulary for semiotics of human and non human assemblies”, in Bijker W., Law J. (Eds.), Shaping technology/building society (pp. 259-264) (trad. it. in Mattozzi, A., a cura di, Il senso degli oggetti tecnici, Roma, Meltemi, 2006, pp. 407-414).
  2. Bruni, A. (2008), “Attivare e stabilizzare un network nel settore delle biotecnologie: il caso Tek-Tek”, in Gherardi, S. (a cura di), Apprendimento tecnologico e tecnologie di apprendimento, Bologna, il Mulino, pp. 147-178.
  3. Bruni, A. (2005), “Shadowing Software and Clinical Records: On the Ethnography of Non-Humans and Heterogeneous Contexts”, Organization, 12(3), pp. 357-378.
  4. Bruni, A., Gherardi, S. (2007), Studiare le pratiche lavorative, Bologna, il Mulino.
  5. Cole, M., Engeström, Y. (1993), “A cultural-historical approach to distributed cognition”, in Salomon, G. (Ed.), Distributed cognitions: Psychological and educational considerations, Cambridge, Cambridge University Press.
  6. Compagnucci, F., Cusinato, A. (2015), “Urban geographies in creativity led economies. Evidence from the Italian case”, in Atti della XXXVI Conferenza Italiana di Scienze regionali, Arcavacata di Rende (Cosenza), 14-16 settembre 2015.
  7. Cusinato, A. (2015), “A hermeneutic approach to the knowledge economy”, Cusinato A., Philippopoulos-Mihalopoulos, A. (Eds.), Knowledge creating Milieus in Europe: Firms, Cities, Territories, Berlin, Springer.
  8. Czarniawska, B. (2008), “Alterity/Identity Interplay in Image Construction”, in barry D., Hansen H., The SAGE Handbook of New Approaches in Management and Organization, London, Sage, pp. 49-62.
  9. Czarniawska, B. (2004), Narratives in Social Science Research, London, Sage.
  10. Czarniawska, B. (1997), Narrating the organization, Chicago, The University of Chicago Press (trad it. Narrare l’organizzazione, Torino, Edizioni di Comunità, 2001).
  11. Czarniawska, B., Joerges, B. (1996), “Travels of ideas. Translating organizational change”, in Czarniawska B., Sevòn G., Translating Organizational Change. Berlin, Walter de Gruyter, pp. 13-48.
  12. Czarniawska, B., Sevón, G. (2005), Global ideas: how ideas, objects and practices travel in the global economy, Oslo-Copenhagen, Liber e Copenhagen Business School Press.
  13. Eisenhardt, K.M. (1989), “Building Theories from Case Study Research”, The Academy of Management Review, 14(4): 532.
  14. Fagerberg, J., Martin, B.R., Andersen, E.S. (Eds.) (2013), Innovation Studies: Evolution and Future Challenges, Oxford, Oxford University Press.
  15. Foss, N.J. (2007), “The Emerging Knowledge Governance Approach: Challenges and Characteristics”, Organization, 14(1): 29-52.
  16. Gagliardi, P. (Ed.) (1990), Symbols and Artifacts, New York, Aldine de Gruyter.
  17. Glăveanu, V.P. (2014), Distributed Creativity, New York, Springer.
  18. Grabher, G. (2004), “Temporary Architectures of Learning: Knowledge Governance in Project Ecologies”, Organization Studies, 25(9): 1491-1514.
  19. Grabher, G., Ibert, O. (2013), “Distance as asset? Knowledge collaboration in hybrid virtual communities”, Journal of Economic Geography, 14(1): 97-123.
  20. Grandori, A. (2001), “Neither Hierarchy nor Identity: Knowledge Governance Mechanisms and the Theory of the Firm”, Journal of Management and Governance, 5: 381-99.
  21. Hirsch, P.M. (1972), “Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems”, American Journal of Sociology, 77(4): 639-659.
  22. Hutchins, E. (1995), Cognition in the wild, Cambridge, MIT Press.
  23. Latour, B. (2005), Reassembling the social, Oxford, Oxford University Press.
  24. Latour, B. (1992), “Where are the missing masses?”, in Bijker, W., Law, J. (Eds.), Shaping technology/building society, Cambridge, MIT Press (trad. it. in A. Mattozzi, a cura di, Il senso degli oggetti tecnici, Roma, Meltemi, 2006).
  25. Latour, B. (1991), “Technology is Society Made Durable”, in Law, J. (Ed.), A Sociology of Monsters Essays on Power, Technology and Domination, Sociological Review Monograph, 38.
  26. Law, J., Mol, A. (2001), “Situating technoscience: an inquiry into spatialities”, Environment and Planning D: Society and Space, 19: 609-621.
  27. Lévy, P. (1997), Il Virtuale, Milano, Cortina.
  28. Lovink, G., Rossiter, N. (Eds.) (2007), MyCreativity reader: a critique of creative industries, Amsterdam: Institute of Network Cultures.
  29. Mattozzi, A., Piccioni, T. (2012), “A Depasteurization of Italy? Mediations of Consumption and the Enrollment of Consumers within the Raw-Milk Network”, Sociologica, 3. DOI: 10.2383/72702
  30. Nonaka, I., Takeuchi, H. (1995), The Knowledge-Creating Company: How Japanese Companies Create the Dynamics of Innovation, Oxford, Oxford University Press.
  31. Schumpeter, J.A. (1912), The Theory of Economic Development: An Inquiry into Profits, Capital, Credit, Interest and the Business Cycle, Cambridge, Harvard University Press.
  32. Schumpeter, J.A. (1947), “The creative response in economic history”, Journal of Economic History, 7(2): 149-59.
  33. Terranova, T. (2000), “Free Labor: producing culture for the digital economy”, Social Text, 18(2): 33-58.
  34. Weick, K. (1995), Sensemaking in Organizations, London, Sage (trad. it. Senso e significato nell’organizzazione, Milano, Cortina, 1997).

  • Relationships between Heritage, Intangible Capital and Cultural and Creative Industries in Italy: A Framework Analysis for Urban Regeneration and Territorial Development Maria Immacolata Simeon, Assunta Martone, in Advanced Engineering Forum /2014 pp.149
    DOI: 10.4028/www.scientific.net/AEF.11.149

Claudio Coletta, La creatività dell’impresa creativa: reti, racconti e tecnologie nello sviluppo di un’applicazione smartphone in "STUDI ORGANIZZATIVI " 1/2016, pp 37-57, DOI: 10.3280/SO2016-001002