Diventare veri per finta: la narrazione nel cinema
Journal title EDUCAZIONE SENTIMENTALE
Author/s Michele Guerra, Carla Weber
Publishing Year 2019 Issue 2019/31
Language Italian Pages 9 P. 103-111 File size 161 KB
DOI 10.3280/EDS2019-031008
DOI is like a bar code for intellectual property: to have more infomation
click here
Below, you can see the article first page
If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits
FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.
Becoming real by fiction: The narrative in the cinema. Before the linguistic codes that allow us to narrate with words, it is the images that give back to human beings a consciousness of themselves and contribute to the construction of their own individuation and behavior. The image has a relationship of indexicality greater than the written word or the word spoken with the object that wants to tell and suggests a series of more complex attitudes and behav-iors. It is the movement that constitutes a crucial theme in this dynamic, because the history of the image is the story of the attempt to simulate movement, in an increasingly convincing way; vital forms, according to Stern. Movie is a narrative that develops through movement.
Keywords: Movement, fiction, embodied narration, action, motor resonance, photogenicity, alien bodily.
- L'uso delle immagini e della fotografia nella psicoterapia della Gestalt. Neuroestetica, neuroni specchio e risonanza corporea Michele Cannavò, Jelena Zeleskov Doric, Alessandro Cereda, Azzurra G.M. Alù, in QUADERNI DI GESTALT 2/2021 pp.29
DOI: 10.3280/GEST2021-002003
Michele Guerra, Carla Weber, Diventare veri per finta: la narrazione nel cinema in "EDUCAZIONE SENTIMENTALE" 31/2019, pp 103-111, DOI: 10.3280/EDS2019-031008