Un’opera di architettura e la sua fortuna critica: Casa de Vidro (1952-2014)

Journal title TERRITORIO
Author/s Aline Coelho Sanches, Amanda Basso Morelli
Publishing Year 2022 Issue 2021/98 Language English
Pages 14 P. 135-148 File size 749 KB
DOI 10.3280/TR2021-098019
DOI is like a bar code for intellectual property: to have more infomation click here

Below, you can see the article first page

If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits

Article preview

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

This article proposes a reflection on the critical reception of the Casa de Vidro, a Lina Bo Bardi’s work, which was where she and Pietro Maria Bardi lived, and which is today home to the Bardi Institute. The contents use methods of historical research, focused on secondary sources, cross-referencing them with unpublished primary sources. It maps, describes, and analyses the critical reception of the project between 1952 and 2014, identifying the periods of greatest interest in the project, and the main values mobilized then. The text concludes with the control exercised by the couple over part of that critical reception, as well as the importance given to the aspects of hybridization and conciliation of opposites as of the 1990s.

Keywords: Casa de Vidro; Lina Bo Bardi; Pietro Maria Bardi

  1. Meyer E.C., 2002, «After the flood». Harvard design magazine, 16: 4-13. -- www.harvarddesignmagazine.org/issues/16/after-the-flood (access: 2017.03.03).
  2. Oliveira O., 2002, «Lina Bo Bardi: obra construída». 2G, 23/24.
  3. Andreoli E., Forty A., 2004, Arquitetura moderna brasileira. London: Phaidon.
  4. Anelli R. (ed.), Suzuki M. (sup.), 2019, Lina Bo Bardi architect: Conservation management plan. Sao Paulo: Instituto Bardi Casa de Vidro. -- www.getty.edu/foundation/initiatives/current/keeping_it_modern/report_library/casa_de_vidro.html?q=%7B%7D (access: 2021.11.11).
  5. Argan G.C., 1995, «A história da arte». In: Argan G.C., Historia da Arte como Historia da Cidade. Sao Paulo: Martins Fontes (trans. from Argan
  6. G.C., 1969, «La storia dell’arte». Storia dell’arte, 1-2: 5-36).
  7. Bardi L.B., 1953, «Residencia no Morumbí». Habitat, 10: 31-40.
  8. Bardi L.B., 1986, «A Casa de Vidro». In: Condephaat - Processo 24938, Tombamento da Casa de Vidro, 36-37. -- www.arquicultura.fau.usp.br (access: 2017.07.14).
  9. Bardi L.B., Ferraz M.C., 1993, ed., Lina Bo Bardi. Sao Paulo: Empresa das Artes, Instituto Lina Bo e P.M. Bardi.
  10. Corato, A.C.S., 2013, «Art, Architecture and Life: The Interior of Casa de Vidro, the Houe of Lina Bo Bardi and Pietro Maria Bardi». In: Massey
  11. A., Sparke P. (eds.), Biography, Identity and the Modern Interior. Farnham: Ashgate, 145-157.
  12. Corato, A.C.S., 2016, «Além do “silencio de um oceano”. Ideias de Brasil nas representaçoes de um crítico e de artistas e arquitetos italianos depois da Segunda Guerra Mundial». Anais Do Museu Paulista: Historia E Cultura Material, 24(2), 187-215. -- www.revistas.usp.br/anaismp/article/view/122778 (access: 2021.03.12). Doi. 10.1590/1982-02672016v24n0206.
  13. Denis R.C., 2000, Uma introducao a historia do design. Sao Paulo: Edgard Blücher.
  14. Lima Z.R.M.A., 2013, Lina Bo Bardi. New Haven-London: Yale University Press.
  15. Lima Z.R., 2021, Lina Bo Bardi, o que eu queria era ter historia. Sao Paulo: Companhia das Letras.
  16. Oliveira O., 2006, Sutis substancias da arquitetura de Lina Bo Bardi. Sao Paulo/ Barcelona: Romano Guerra/GG.
  17. Parrella L., 1978, «A coleçao de P.M. Bardi». Casa Vogue, 32A: 23-33.
  18. Ponti G., 1953, «La ‘Casa de Vidro’». Domus, 279: 19-26.
  19. Pozzoli V., 2016, «Lo studio d’arte Palma: storia di un’impresa per il commercio artistico nell’Italia del dopoguerra». acme 69, 2: 145-74. -- https://riviste.unimi.it/index.php/ACME/article/view/7952. (access: 2020.02.11). DOI: 10.13130/2282-0035/7952
  20. Rattenbury K., 2002, This is not architecture, media constructions. London: Routledge.
  21. Rubino S., Grinover M., 2009, eds., Lina por escrito: textos escolhidos de Lina Bo Bardi, 1943-1991. Sao Paulo: Cosac & Naify.
  22. Sanches, A.C., 2019, «Casa de Vidro: a site of continuous experimentation ». In. Anelli R. (ed.), Suzuki M. (sup.), Lina Bo Bardi architect: Conservation management plan. Sao Paulo: Instituto Bardi Casa de Vidro, 58-113. -- www.getty.edu/foundation/initiatives/current/keeping_it_modern/report_library/casa_de_vidro.html?q=%7B%7D (access: 2021.11.11).
  23. Schenk L.M.B., Graziano A.T., Silva L.T.P., 2018, A Casa de Vidro e seu jardim: inventario e descobertas (manuscript).
  24. Wisnik G., 2014, «Lina Bo Bardi gestern und heute». In: Lepik A., Bader V.S. (eds.), Lina Bo Bardi 100: Brazil’s alternative path to modernism. Ostfildern: Hatje Cantz Verlag, 34-49.
  25. Bardi L.B., Ferraz M., 1999, ed., Casa de vidro, Sao Paulo, Brasil, 1950-1951. Lisboa/ Sao Paulo: Editorial Blau/ Instituto Lina Bo e P. M. Bardi.
  26. Bardi P.M., 1984, «A Casa do Morumbi: em meio ao verde». Casa Vogue, 3: 80-83. -- www.teses.usp.br/teses/disponiveis/18/18131/ tde-30052016-104837/pt-br.php (access: 2017.11.01).
  27. Campello M.F.M.B., 1997, Lina Bo Bardi: as moradas da alma. Master thesis, Master in Architecture, Escola de Engenharia de Sao Carlos, Universidade de Sao Paulo. --
  28. Chaves A.M., (allegedly) 1953, «Jardins de Mansoes Paulistas» (In: non identified newspaper and page, Lina Bo Bardi collection, Instituto Bardi, Documentos Casa de Vidro, 1.131.1-3).
  29. Colomina B., 1994, Privacy and publicity: modern architecture as mass media. Cambridge, Mass.: mit Press.

Aline Coelho Sanches, Amanda Basso Morelli, A work of architecture and its critical reception: Casa de Vidro (1952-2014) in "TERRITORIO" 98/2021, pp 135-148, DOI: 10.3280/TR2021-098019