Con le mani per terra: trasformazione dei luoghi nella pratica corporea. Il caso della breakdance a Porta Venezia, Milano

Journal title SOCIOLOGIA E RICERCA SOCIALE
Author/s Fabio Bertoni
Publishing Year 2017 Issue 2017/114
Language Italian Pages 25 P. 138-162 File size 244 KB
DOI 10.3280/SR2017-114007
DOI is like a bar code for intellectual property: to have more infomation click here

Below, you can see the article first page

If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits

Article preview

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

  1. A. Aalten (2007), «Listening to the Dancer’s Body». The Sociological Review, LV, 1, pp. 109-25,
  2. A. Amin, N. Thrift (2002), Cities. Reimagining the Urban, Cambridge, Polity Press; tr. it., Città. Ripensare la dimensione urbana, Bologna, il Mulino, 2005.
  3. A. Aycock (1992), «The Confession of the Flesh: Disciplinary Gaze in Casual Body Building ». Play and Culture, 5, pp. 338-57.
  4. M. Bamberg (2004), «Considering Counter Narratives», in M. Bamberg, M. Andrews (eds.), Considering Counter-narratives. Narrating, Resisting, making Sense, Amsterdam, John Benjamins Publishing.
  5. R. Barthes (1953), Le degré zéro de l’écriture suivi de Nouveaux essais critiques, Paris: Éditions du Seuil; tr. it., Il grado zero della scrittura e nuovi saggi critici, Torino, Einaudi, 2003.
  6. C. Bassetti (2009), «Riflessività-in-azione: l’incorporamento dello sguardo spettatoriale come sapere pratico professionale nella danza». Etnografia e ricerca qualitativa, 3, pp. 325-51, DOI: 10.3240/30768
  7. C. Bassetti, E. Bottazzi (2015), « Introduction. Rhythm in Social Interaction». Etnografia e ricerca qualitativa, 3, pp. 367-82, DOI: 10.3240/81721
  8. Z. Bauman (1999), La società dell’incertezza, Bologna, il Mulino.
  9. A. Bennett (1999) «Rappin’ on the Tyne: White Hip Hop Culture in Northeast England. An Ethnographic Study», The Sociological Review, XLVII, 1, pp. 1-24, DOI: 10.1111/1467-954X.00160
  10. A. Bennett (2000), Popular Music and Youth Culture: Music, Identity and Place, London, MacMillan.
  11. C. Bizzaglia (2014), La città che cammina. Per una sociologia del corpo metropolitano, Milano, FrancoAngeli.
  12. C. Boyer (1995), The Great Frame-up: Fantastic Appareances in Contemporary Spatial Politics, in H. Liggett, D.C. Perry (eds.), Spatial Practices. Critical Exploration in Social/Spatial Theory, London, Sage.
  13. P. Bourdieu (1972), Esquisse d’une théorie de la pratique précédé de Trois études d’ethnologie kabyle, Genève, Droz; tr. it., Per una teoria della pratica. Con tre studi di etnologia cabila, Milano, Raffaello Cortina, 2003.
  14. A.M. Brighenti (2010), «On Territorology: Towards a General Science of Territory», Theory, Culture & Society, XXVII, 1, pp. 52-72, DOI: 10.1177/0263276409350357
  15. A.M. Brighenti (2013), Urban Interstices: The Aesthetics and the Politics of the In-Between, Ashgate, Burlington.
  16. B. Buffam (2011), «I can’t hold us back! Hip-hop and the Racial Mobility of Aboriginal Bodies in Urban Spaces». Social identities, XVII, 3, pp. 337-50, DOI: 10.1080/13504630.2011.570973
  17. J. Butler (1997), Excitable Speech. A Politics of Performative, Abingdon, Routledge.
  18. A. Cegna, M. Villaci (2015), Strade strappate. Storia rappata dell’hip hop italiano, Milano, Agenzia X.
  19. J. Chang (2005), Can’t stop, won’t stop: A History of the Hip Hop Generation, New York, St. Martin Press.
  20. P.H. Collins (2007), From Black Power to Hip Hop: Racism, Nationalism, and Feminism, Philadelphia, Temple University Press.
  21. I. Condry (2000), The Social Production of Difference: Imitation and Authenticity in Japanese Rap Music, in H. Fehrenbach, U. Poiger (eds.), Transactions, Transgressions, and Transformations, New York, Berghan Books.
  22. N. Crossley (2001), The Social Body. Habit, Identity, and Desire, London, Sage.
  23. T.J. Csordas (1990) ,«Embodiment as a Paradigm for Anthropology», Ethos, XVIII, 1, pp. 5-47,
  24. T.J. Csordas (ed.) (1994), Embodiment and Experience: The Existential Ground of Culture and Self, New York, Cambridge University Press.
  25. M. De Certeau (1980), L’invention du quotidien, Paris, Union générale d’éditions; tr. it., L’invenzione del quotidiano, Roma, Edizioni Lavoro, 2001.
  26. N. Dines (2012), Tuff City. Urban Change and Contested Space in Central Naples, New York-Oxford, Berghahn Books.
  27. G. Downey (2005), Learning Capoeira: Lessons in Cunning from an Afro-brazilian Art, New York, Oxford University Press.
  28. M. Featherstone, S. Lash (1999), Spaces of Culture. City, Nation, World, New York, Sage.
  29. P. Ebron (1991), «Rapping between Men: Performing Gender», Radical America, 23, pp. 23-27.
  30. M. Foucault (1976), Histoire de la sexualité, tome 1: La volonté de savoir, Paris, Gallimard; tr. it., La volontà di sapere. Storia della sessualità 1, Milano, Feltrinelli, 2013.
  31. M. Foucault (1984a), Des espaces autres, in Dits et écrits, Paris, Gallimard; tr. it., Spazi altri. I luoghi delle eterotopie, Milano-Udine, Mimesis, 2011.
  32. M. Foucault (1984b), Historie de la sexualité, tome 3: Le Souci de Soi, Paris, Gallimard; tr. it., La cura di sé. Storia della sessualità 3, Milano, Feltrinelli, 1985.
  33. N. Gazit (2010), «Boundaries in Interaction: The Cultural Fabrication of Social Boundaries in West-Jerusalem», City & Community, IX, 4, pp. 390-413,
  34. N. Gazit, A. Latham (2014) «Spatial Alternatives and Counter-Sovereignties in Israel/Palestine », International Political Sociology, 8, pp. 63-81,
  35. M. Giardina, J. Newman (2011), «Physical Cultural Studies and Embodied Reasearch Act», Cultural Studies – Critical Methodologies, XI, 6, pp. 523-34, DOI: 10.1177/1532708611426107
  36. J.C. Goldfarb (2006), The Politics of Small Things: The Power of the Powerless in Dark Times, Chicago, University of Chicago Press.
  37. A. Gramsci (1975), Quaderni dal carcere, 4 voll, Torino, Einaudi.
  38. G. Grechi (2010), La rappresentazione incorporata. Un’etnografia del corpo tra stereotipi coloniali e arte contemporanea, Roma, Bonanno.
  39. D. Gregory (1994), Geographical Imaginations, Oxford, Blackwell.
  40. A. Harris (2012), «Art and Gentrification: Pursuing the Urban Pastoral in Hoxton, London», Transactions of the Istitute of British Geographers, XXXVII, 2, pp. 226-41,
  41. M. Holman (2004), Breaking the History, in M. Forman, M.A. Neal (eds.), That’s the Joint. The Hip Hop Studies Reader, London, Routledge.
  42. M. Ilardi, P. Desideri (1997), Attraversamenti. I nuovi territori dello spazio pubblico, Genova, Costa&Nolan.
  43. M. Kärrholm (2003), Territorium in Carne. A Critical Proposal Regarding the Study of Materiality, in M. Bode, S. Schmidt (eds.), The Redistribution of Surplus, Göteborg, Göteborgs Konsthall.
  44. M. Kärrholm (2005), «Territorial Complexity in Public Places. A Study of Territorial Production at Three Squares in Lund», Nordic Journal of Architectural Research, 1, pp. 99-114, DOI: 10.1177/1206331207304356
  45. M. Kärrholm (2007), «The Materiality of Territorial Production. A Conceptual Discussion of Territoriality, Materiality, and the Everyday Life of Public Space», Space and Culture, X, 4, pp. 437-53, DOI: 10.1177/1206331207304356
  46. C. Keyes (2004), Rap Music and Street Consciusness, Urbana, University of Illinois Press.
  47. J.L. Kidder (2009), «Appropriating the City: Space, Theory, and Bike Messengers». Theory and Society, XXXVIII, 3, pp. 307-28,
  48. R. Koch, A. Latham (2013), «On the Hard Work of Domesticating a Public Space». Urban studies, L, 1, pp. 6-21.
  49. M. Kohn (2004), Brave New Neighbourhoods. The Privatization of Public Space, New York, Routledege.
  50. M. Lang (2010), «Suirveillance and Conformity in Competitive Youth Swimming», Sport, Education and Society, XV, 1, pp. 19-37, DOI: 10.1080/13573320903461152
  51. A. Latham, D.L. McCormack (2004), «Moving Cities: Rethinking the Materialities of Urban Geographies», Progress in Human Geography, XXVIII, 6, pp. 701-24,
  52. J. Law (2002), «Object and Spaces», Theory, Culture & Society, XIX, 5-6, pp. 91-105, DOI: 10.1177/026327602761899165
  53. B.J.R. Leadbeater, N. Way (1996), Urban Girls: Resisting Stereotypes, Creating Identities, New York, New York University Press.
  54. H. Lefebvre (1974), La production de l’espace, Paris, Anthropos; tr. it., La produzione dello spazio, Milano, Mondadori, 1976.
  55. L. Levéque (2009), «Towards an Interstitial Approach to Urban Landscape», Territorio, XLVIII, 77-82, DOI: 10.3280/TR2009-048013
  56. D. Ley (2002), «Artists, Aestheticisation and the Field of Gentrification», Urban Studies, 40, pp. 2527-44, DOI: 10.1080/0042098032000136192
  57. G. Mandich, V. Cuzzocrea (2016), «Domesticating the City: Family Practices in Public Space», Space and Culture, XIX, 3, pp. 224-36, DOI: 10.1177/1206331215595733
  58. M. Mauss (1934), «Les techniques du corps», Journal de psychologie, XXXII, 3-4, pp. 365-86; tr. it., Teoria generale della magia e altri saggi, Torino, Einaudi, 1991.
  59. J. May, N. Thrift (2001), Timespace: Geographies of Temporality, Hove, Psychology Press.
  60. A. Melucci (1998), Verso una sociologia riflessiva. Ricerca qualitativa e cultura, Bologna, il Mulino.
  61. T. Mitchell (2001), Global Noise: Rap and Hip Hop Outside of the US, Middletown, Wesleyan University Press.
  62. E. Moore (2007), Unmarketable: Brandilism, Copyfighting, Mocketing and the Erosion of Integrity, New York, The New Press.
  63. M. Morgan (2002), Language, Discourse and Power in African American Culture, Cambridge, Cambridge University Press.
  64. M.A. Neal (2004), The Message: Rap, Politics, Resistance, in M. Forman, M.A. Neal (eds.), That’s the Joint. The Hip Hop Studies Reader, London, Routledge.
  65. L. Nelson (1999), «Bodies (and Spaces) do matter: The Limits of Performativity», Gender, Place and Culture, 6, pp. 331-53, DOI: 10.1080/09663699924926
  66. E. Ohnuki-Tierney (1994), «The Power of Absence: Zero Signifiers and Their Transgressions ». L’Homme, CXXX, 2, pp. 59-76.
  67. D. Panariello (2014), «Pratiche dei migranti e processi di ri-significazione dello spazio pubblico ». M@gm@, XII, 2. http://www.magma.analisiqualitativa.com/1202/articolo_11.htm.
  68. D. Pardue (2008), Ideologies of Marginality in Brazilian Hip Hop, New York, Palmgrave.
  69. D. Pardue (2010), «Getting an Attitude: Brazilian Hip Hoppers Design Gender». The Journal of Latin American and Caribbean Anthropology, XV, 2, pp. 434-56,
  70. P. Perulli (2009), Visioni di città. Le forme del mondo spaziale, Torino, Einaudi.
  71. I. Perry (2005), Prophets of the Hood: Politics and Poetics in Hip Hop, New York, Palmgraves.
  72. C. Philo (2000), More Words, More Worlds: Reflections on the Cultural Turn and Human Geography, in I. Cook, D. Crouch, S. Naylor, J. Ryan (eds.). Cultural Turns/Geographical Turns: Perspectives on Cultural Geography, Harlow, Prentice Hall.
  73. A. Pickard (2012), «Schooling the Dancer: the Evolution of an Identity as a Ballet Dancer», Research in Dance Education, XIII, 1, pp. 25-46, DOI: 10.1080/14647893.2011.651119
  74. G. Pipitone, “u.net” (2008), Renegades of Funk: il Bronx e le radici dell’hip hop, Milano, AgenziaX.
  75. G. Pizza (2005). Antropologia medica. Saperi, pratiche e politiche del corpo, Bologna, il Mulino.
  76. G. Pizza (2012), «Second Nature: On Gramsci’s Anthropology». Anthropology & Medicine, XIX, 1, pp. 95-106, DOI: 10.1080/13648470.2012.660466
  77. G. Pizza (2015), Il tarantismo oggi. Antropologia, politica, cultura, Roma, Carocci.
  78. G. Plastino (1996), Mappa delle voci. Rap, raggamuffin e tradizioni in Italia, Roma, Meltemi.
  79. N. Porro (2014), Introduzione, in C. Bizzaglia, La città che cammina. Per una sociologia del corpo metropolitano, Milano, FrancoAngeli.
  80. P. Rabinow (1982), «Space, Knowledge and Power. Foucault Interview», Skyline, pp. 14-33.
  81. S.A. Reed (1998), «The Politics and Poetics in Dance», Annual Review of Anthropology, 27, pp. 503-32,
  82. H.M. Ritenburg (2010), «Frozen Landscapes: A Foucauldian Genealogy of the ideal ballet dancer’s body». Research in Dance Education, XI, 1, pp. 71-85, DOI: 10.1080/14647891003671775
  83. F. Ronzon (2008), Il senso dei luoghi. Indagini etnografiche, Roma, Melteni.
  84. T. Rose (1994), A Style Nobody can deal with: Politics, Style and the Postindustrial City in Hiphop, in R. Andrew, T. Rose (eds.), Microphone Fiends: Youth Music and Youth Culture, New York, Routledge.
  85. E. Rossi (2012). In disparte. Appunti per una sociologia del margine, Roma, Armando.
  86. P. Saitta (2015), Resistenze. Pratiche e margini del conflitto quotidiano, Verona, Ombre Corte.
  87. R. Sanchez Garcia, D.C. Spencer (2013), Fighting Scholars. Habitus and Ethnographies of Martial Arts and Combat Sports, Wimbledon, Anthem Press.
  88. R. Sassatelli (2000), Anatomia della palestra: cultura commerciale e disciplina del corpo, Bologna, il Mulino.
  89. O. Sasson-Levy (2008), «Individual Bodies, Collective State Interests», Men and Masculinities, X, 3, pp. 296-21, DOI: 10.1177/1097184X06287760
  90. J.G. Schloss (2009), Foundation: B-boys, B-girls, and Hip-Hop Culture in New York, Oxford, Oxford University Press.
  91. G. Semi (2010), L’osservazione praticante. Una guida pratica, Bologna, il Mulino.
  92. R. Shapiro (2004), «The Aesthetics of Institutionalization: Breakdancing in France», The Journal of Arts Management, Law and Society, XXXIII, 4, pp. 316-35, DOI: 10.3200/JAML.33.4.316-335
  93. K. Simonsen (2005), «Bodies, Sensations, Space and Time: The Contribution from Henri Lefebvre», Geografiska Annaler, LXXXVII, 1, pp. 1-14,
  94. R. Solnit (2000), Wanderlust. A History of Walking, London, Penguin; tr. it., Storia del camminare, Milano, Bruno Mondadori, 2002.
  95. E.W. Soja (1996), Thirdspace. Journey to Los Angeles and Other Real-and-Imaginated Spaces, Blackwell, Oxford.
  96. R. Stella (2001), Il corpo come testo, in M. Bucchi, F. Neresini (eds.), Sociologia della salute, Roma, Carocci.
  97. J. Tanner, M. Asbridge, S. Worthley (2009), «Listening to Rap: Cultures of Crime, Cultures of Resistance», Social Forces, LXXXVIII, 2, pp. 693-722,
  98. A. Tsing (2012), «On Non Scalability. The Living World is not Amenable to Precision-Nested Scales», Common Knowledge, XVIII, 3, pp. 505-24, DOI: 10.1215/0961754X-1630424
  99. A. Vidler (2002), Warped Space: Art, Architecture and Anxiety in Modern Culture, Cambridge, Mit Press.
  100. L. Wacquant (2005), «Carnal Connections: On Embodiment, Membership and Apprenticeship », Qualitative Sociology, XXVIII, 4, pp. 445-71,
  101. L. Wacquant (2013), «Homines in Extremis: What Fighting Scholars teach us about Habitus», Body & Society, XX, 2, pp. 3-17, DOI: 10.1177/1357034X13501348
  102. S.P. Wainwright, C. Williams, B.S. Turner (2006), Varieties of Habitus and the Embodiment of Ballet, Qualitative Research, VI, 4, pp. 535-58, DOI: 10.1177/1468794106068023
  103. B. Wheaton (2004), Understanding Lifestyle Sports. Consumption, Identity and Difference, London, Routledge.
  104. D.H. Zakus (1995), «Production, Consumption, and Sport: Use of the Body in Women’s Elite Sport», International Review for the Sociology of Sport, XXX, 1, pp. 81-95, DOI: 10.1177/101269029503000105

  • El nost Milan: il rap dei ‘nuovi italiani', tra riappropriazioni urbane e rivendicazioni identitarie Chiara Giubilaro, Valeria Pecorelli, in RIVISTA GEOGRAFICA ITALIANA 4/2019 pp.21
    DOI: 10.3280/RGI2019-004002

Fabio Bertoni, Con le mani per terra: trasformazione dei luoghi nella pratica corporea. Il caso della breakdance a Porta Venezia, Milano in "SOCIOLOGIA E RICERCA SOCIALE " 114/2017, pp 138-162, DOI: 10.3280/SR2017-114007