"Vorrei la pelle nera". Youth Culture and Anti-Racist Sensibilities in Italy, 1960s-1970s

Journal title ITALIA CONTEMPORANEA
Author/s Silvana Patriarca
Publishing Year 2022 Issue 2021/297 Suppl.
Language Italian Pages 20 P. 80-99 File size 0 KB
DOI 10.3280/IC2021-297-S1OA-004
DOI is like a bar code for intellectual property: to have more infomation click here

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

Starting with a reflection on the few 1960s Italian songs which expressed anti-racist feelings, this article explores the presence and the nature of these sentiments in the youth culture of those years, focusing the analysis on Ciao 2001, a popular weekly which began its publications in that period. Building in eclectic fashion on the interpretive insights of theories of cultural appropriation and of race consumption, the article shows how the consumption of African America music and the fascination for Black musicians were accompanied by an interest in the historical roots of that music and in the history, conditions, and struggles of Black Americans, to which the weekly devoted numerous articles. The essay also examines some emerging figures of the Italian musical scene of the Seventies covered by the weekly — in particular the African American-Neapolitan James Senese and the Neapolitan singer songwriter Pino Daniele — in order to underline the latter’s appropriation, not deprived of stereotypes, of the “negritude” topos to refer not only to the racism of which the Italian Southerners were victims, but also to himself. If this appropriation could be in part justified, on the other hand it impeded a fuller recognition of the specificity of Black oppression and thus a greater understanding of anti-Black racism.

Keywords: ; Anti-Racism, Racism, Musical periodicals, African American music, Cultural appropriation, Negritude

  1. Aptheker Herbert (1992), Anti-racism in US History: The First Two Hundred Years, New York, Greenwood Press.
  2. Ashley Dawson, Patrizia Palumbo (2005), Hannibal’s Children: Immigration and Anti-racist Youth Subcultures in Contemporary Italy, “Cultural Critique”, no. 59, winter, pp. 165-186.
  3. Aymone Carmine (2005), Je sto ccà…James Senese, Napoli, Guida.
  4. Balbo Laura, Luigi Manconi (1990), I razzismi possibili, Milano, Feltrinelli.
  5. Banti Alberto Mario (2017), Wonderland. La cultura di massa da Walt Disney ai Pink Floyd, Roma-Bari, Laterza.
  6. bell hooks (2014), Eating the Other: Desire and Resistance, in bell hooks, Black Looks: Race and Representation, London, Routledge, pp. 21-39.
  7. Bill Yousman (2003), Blackophilia and Blackophobia: White Youth, the Consumption of Rap Music, and White Supremacy, “Communication Theory”, 13:4, pp. 366-391.
  8. Bonnett Alistair (2000), Anti-racism, London, Routledge.
  9. Bouchard, Norma, Valerio Ferme (2013), Italy and the Mediterranean. Words, Sounds, and Images of the Post-Colonial Era, Houndsmills, Palgrave Macmillan.
  10. Brioni Cecilia, Brioni Simone (2018), Transnational ‘Italian’ Stardom: Lara Saint Paul and the Performativity of Race, in “Italian Studies”, 73:4, pp. 351-364.
  11. Cavalli Alessandro (1997), Leccardi Carmen, Le culture giovanili, in Storia dell’età repubblicana, vol. 3, L’Italia nella crisi mondiale. L’ultimo ventennio, t. 2, Istituzioni, politiche, culture, Torino, Einaudi, 1997, pp. 709-800.
  12. Dawson Ashley, Patrizia Palumbo (2005), Hannibal’s Children: Immigration and Anti-racist Youth Subcultures in Contemporary Italy, Cultural Critique, no. 59, pp. 165-186.
  13. De Franceschi Leonardo (2021), Il nero di Giovanni Vento. Un film e un regista verso l’Italia plurale, Dublino, Artdigiland.
  14. Delgadillo Theresa (2006), Singing ‘Angelitos Negros’: African Diaspora Meets Mestizaje in the Americas, “American Quarterly”, 58:2, pp. 407-430.
  15. Deplano Valeria, Alessandro Pes (2014), Quel che resta dell’impero. La cultura coloniale degli italiani, Sesto San Giovanni, Mimesis.
  16. Di Vora Irina (2012), Un ‘negro’ in salotto. ‘La Domenica del Corriere’ tra postcolonialismo e decolonizzazione (1945-1968), “I sentieri della ricerca. Rivista di storia contemporanea”, n.16, pp 157-191.
  17. Fanon Frantz (2019), Pelle nera maschere bianche, traduzione di Silvia Chiletti, introduzione di Vinzia Fiorino, Pisa, ETS; ed. orig. 1952.
  18. Forgacs David (2013), I Watussi, “Modern Italy”, 18: 4, pp. 437-443.
  19. Giachetti Diego (2002), Tre riviste per i ragazzi tristi degli anni Sessanta, “L’impegno. Rivista dell’Istituto per la Storia della Resistenza e dell’età contemporanea in provincia di Vercelli”, 22:2, http://www.storia900bivc.it/pagine/editoria/giachetti202.html
  20. Gillet Charlie (1996), The Sound of the City. The Rise of Rock and Roll, New York, DaCapo Press.
  21. Giuliani Gaia (2018), Razza Cagna: mondo movies, the white heterosexual male gaze and the 1960s-1970s imaginary of the nation, “Modern Italy”, 23:4, pp. 429-444.
  22. Giuliani Caponetto, Rosetta (2012), Blaxploitation Italian Style. Exhuming and Consuming the Colonial Black Venus in 1970s Cinema in Italy, in Cristina Lombardi-Diop, Caterina Romeo, (a cura di), Postcolonial Italy. Challenging National Homogeneity, New York, Palgrave Macmillan, pp. 191-203.
  23. Haynes Jo (2012), Music, Difference and the Residue of Race, New York, Routledge.
  24. Marchetti Sabrina (2011), Le ragazze di Asmara. Lavoro domestico e migrazione coloniale, Rome, Ediesse.
  25. Masini Alessia (2019), Siamo nati da soli. Punk rock e politica in Italia e in Gran Bretagna (1977-1984), Pisa, Pacini.
  26. Patriarca Silvana (2021), Il colore della Repubblica. “Figli della guerra” e razzismo nell’Italia post-fascista, Torino, Einaudi.
  27. Perilli Vincenza, Relazioni pericolose . Asimmetrie dell’interrelazione tra ‘razza’ e genere e sessualitá interrazziale, in Gaia Giuliani (a cura di), Il colore della nazione, Milano-Firenze, Mondadori-Le Monnier, 2015, pp. 143-156.
  28. Pitcher Ben (2014), Consuming Race, London, Routledge.
  29. Pivato Stefano (2005), Bella ciao. Canto e politica nella storia d’Italia, Roma-Bari, Laterza.
  30. Rogers Richard A. (2016), From Cultural Exchange to Transculturation: A Review and Reconceptualization of Cultural Appropriation, “Communication Theory”, 16:4, pp. 474-503.
  31. Russano Marcella (2012), Nero a metà. Dalle origini a Grande Madre tutta la poesia di Pino Daniele, Roma, Arcana.
  32. Santoro Marco, Solaroli Marco (2013), The Institutional Ecology of a Festival: The Case of Umbria Jazz, in “Polis. Ricerche e studi su società e politica in Italia”, 28: 1, pp. 81-124.
  33. Schildt Axel, Detlef Siegfried (2006), a cura di, Between Marx and Coca Cola. Youth Cultures in Changing European Societies, 1960-1980, New York-Oxford, Berghahn Books.
  34. Srivastava Neelam (2018), Italian Colonialism and Resistances to Empire, 1930-1970 London, Palgrave Macmillan.
  35. Srivastava Neelam (2019), Translating Resistance. Fanon and Radical Italy, 1960-1970, in Kathryn Batchelor, Sue-Ann Harding, a cura di, Translating Frantz Fanon Across Continents and Languages, Londra, Routledge, pp. 17-39.
  36. Straw Petrine Archer (2000), Negrophilia. Avant-garde Paris and Black Culture in the 1920s, Londra, Thames and Hudson.
  37. Tomatis Iacopo, Storia culturale della canzone italiana, Milano, Il Saggiatore, 2019.
  38. Volpi Alessandro (2013), Musica, politica e carta stampata, Pisa, Pacini.
  39. Wickberg Daniel (2007), What is the History of Sensibilities? On Cultural Histories, Old and New, “The American Historical Review”, 112: 3 (2007), pp. 661-684.

  • Prove tecniche di risignifi cazione. La semantica dell'antirazzismo nei fumetti di Sergio Bonelli Editore (2007-2016) Francesco Casales, in ITALIA CONTEMPORANEA 305/2024 pp.114
    DOI: 10.3280/IC2024-305005

Silvana Patriarca, "Vorrei la pelle nera": cultura giovanile e sensibilità antirazziste nell’Italia degli anni Sessanta e Settanta in "ITALIA CONTEMPORANEA" 297 Suppl./2021, pp 80-99, DOI: 10.3280/IC2021-297-S1OA-004