The Netflix bandits: when history becomes the Far West

Journal title PASSATO E PRESENTE
Author/s Marcello Ravveduto
Publishing Year 2024 Issue 2024/123
Language Italian Pages 14 P. 179-192 File size 178 KB
DOI 10.3280/PASS2024-123012
DOI is like a bar code for intellectual property: to have more infomation click here

Below, you can see the article first page

If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits

Article preview

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

The author addresses the public use of history starting with a preliminary reflection on audiovisual media. The case of the television series Briganti, produced by Netflix, is then proposed. The author analyses the narrative model adopted and the debate triggered by the launch of the series. The scriptwriters’ choice to use the format of the Italian western is proposed as a counter-narrative of the war on brigandage. Fiction stages the reversed perspective of the history of the “vanquished” following in the wake of neo-Bourbon publications.

Keywords: Bandits, South Italy, Italian Unification, Media, Neo-Bourbons

Marcello Ravveduto, I briganti di Netflix: quando la storia diventa il far west in "PASSATO E PRESENTE" 123/2024, pp 179-192, DOI: 10.3280/PASS2024-123012