Journal title MONDO CONTEMPORANEO
Author/s Maurizio Zinni
Publishing Year 2017 Issue 2016/3 Language Italian
Pages 23 P. 129-151 File size 223 KB
DOI is like a bar code for intellectual property: to have more infomation click here
Below, you can see the article first page
If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits
FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.
Between 1968 and 1977 the writer Leonardo Sciascia and the director Elio Pe-tri created some of their most intricate and disputed works. Among these, Todo modo is the best example of their political conception of art. It appears as a politi-cal text, despite its different versions, and as the expression of a widespread politi-cal and cultural mood ‒ not only in the “new left” ‒ reflecting the need for a radi-cal change and the opposition to Republican institutions and to the party who em-bodied them in the aftermath of the Second World War: the Christian Democracy.
Keywords: Leonardo Sciascia, Elio Petri, Todo modo, Christian Democracy, con-testazione (social protest), Aldo Moro
Maurizio Zinni, Todo modo, un testo tra arte e politica in "MONDO CONTEMPORANEO" 3/2016, pp 129-151, DOI: 10.3280/MON2016-003004